'Geisha' ignorant of cultural ideals

By Tim Johnson and Emi Doi
December 6, 2005

Beijing - China and Japan, which are at each other's throats over any number of issues, finally seem to agree on one thing: Hollywood's latest release is a cultural dud.

The Hollywood movie "Memoirs of a Geisha," which had its world premiere in Tokyo on Tuesday, has triggered consternation in Japan because none of the three lead actresses are Japanese; two of them are Chinese and another is an ethnic Chinese from Malaysia.

Citizens polled about the matter in Tokyo questioned why Hollywood chose Chinese actresses to portray geishas, quintessentially Japanese women trained in traditional arts of singing, dancing and accompanying wealthy men.

If there's dismay in Japan, there's outrage in China, but for a different reason: Many Chinese are beside themselves that the film's star, Zhang Ziyi, China's best-known actress, is depicted in the movie as having sexual relations with a Japanese man.

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Sex scene may delay "Geisha"

"She deserves to be chopped into a thousand bits," said one Internet user, one of more than 1,000 people who posted on the subject at the Tianji (Sky's Edge) Web portal.

"Zhang is a shameless prostitute," another posting said. "She should be deprived of Chinese citizenship."

Relations between China and Japan, the two powerhouses of East Asia, are at a low ebb. Despite deepening economic ties with Japan, China still harbors bitter feelings toward Japan dating to the period before and during World War II, when Japan invaded large parts of China and dealt brutally with the Chinese people. Many Chinese, censored from voicing their views of their own authoritarian government, express anger whenever they perceive any sign of national weakness before Japan.

The film, which will be released Friday in the United States, is an international production. Its American director, Rob Marshall, is known for the 2002 Oscar-winning movie "Chicago." In addition to Zhang Ziyi, the movie stars Japanese actor Ken Watanabe ("The Last Samurai"), Chinese actress Gong Li and Malaysian martial-arts star Michelle Yeoh, an ethnic Chinese who's playing the role of mentor to the movie's protagonist.

"It's a bit awkward that the main character, Sayuri, isn't played by a Japanese actress when the movie primarily focuses on Japanese culture," a woman who identified herself only as Kai told Japan Today Online.

"I think Hollywood people don't care whether they (the actresses) are Japanese or Chinese," said Chiaki Miyazaki, a 46-year-old Kyoto native who's a music producer. "When I was in the United States, American people thought Japanese, Chinese and Korean are all the same."

One of China's best-known film directors, Chen Kaige, who did the 1993 movie "Farewell, My Concubine," questioned in a speech in the Japanese city of Kobe on November 9 why Japanese actresses weren't found for the leading roles.

"I just don't understand why," Chen said. "Geisha is a centuries-old Japanese tradition and cannot possibly be portrayed by Chinese actresses. The geisha have a sophisticated way of walking, holding a fan, smiling and looking at people."

Many modern Japanese women hardly know how to wear kimono or walk in traditional wooden sandals, said Tsukiko Doi, a restaurant owner in Kyoto.

"Maybe they can't sit on their heels with their back straight and knees together," Doi said. "Yet still they have a sense of being Japanese."

The release of the movie in China has been postponed to at least February 10 because censors are haggling with producers about whether a sex scene can be cut in length, Asian Sex Gazette reported last week.

Some of the publicity about "Memoirs of a Geisha," which is based on a novel of the same name by Arthur Golden that spent two years on the New York Times bestseller list, appeared to be the result of mischief-makers in China, who distributed fake pictures of Zhang and Watanabe in a nude scene from the movie. The doctored photos are all over Web sites in China.

Knight Ridder

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